showing 100 of 4578 results matching `*` and `department:"Contemporary Art"` (clear filters). (load 200 more)

gallery installation of a fictional "period room" — Curator's Office, 2012-13
Mark Dion

G378

Geometric abstraction — Tahkt-I-Sulayman Variation II, 1969
Frank Stella

G235

Portrait of Juan de Pareja, the Assistant to Velázquez, Salvador Dali; Depicted: Juan de Pareja — Portrait of Juan de Pareja, the Assistant to Velázquez, 1960
Salvador Dali; Depicted: Juan de Pareja

G376

Portrait Of Frank James — Frank, 1969
Chuck Close

Not on View

Artist's multiple published in an edition of 8 — Vicki! I--I Thought I Heard Your Voice!, 1964
Roy Lichtenstein

Not on View

organic, curving, turned wood-like form with central open spaces; reddish finish — Pulse, 2003
Tony Cragg

G380

photograph of a street scene with riot police and horses — Abbott & Cordova, 7 August 1971, 2008
Stan Douglas

Not on View

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through — Untitled, 1967
Kusama Yayoi

G375

functioning handled screw device with a blade at bottom, pointed toward a cloth-covered, padded area on horizontal board; portions painted red and white — Soft Machine II, 1963
Mark Brusse

G376

black and white photo print of a Black woman wearing a suit at lower R seated on a low granite wall with her back against a column; line of dark granite columns to left of woman; light colored modern building with horizontal windows in background; tops of trees at CL — Downtown Civic Center, Public Use Areas #12, 1980
Anthony Hernandez

G230

Two men lying on rocky outcrop, one on his back in a blue shirt, the other on his stomach in a white shirt; blue sky and clouds at UR. Frame: painted black with open carving of birds and flowers. — Santos Dumont - The Father of Aviation II, 2009
Kehinde Wiley

Not on View

abstracted landscape; primarily rectangular shapes--some curves--forming horizontal bands, delineated with thin red borders; thickly-applied surface pigments with openwork-like unpainted areas allowing bright multicolored underpainting to be visible; purple "sky"; blue-grey "water"; green, lavender, orange and pink "rocks/land" in foreground — Lake Superior Landscape, 1981
George Morrison

G301

Screenprint with applied bronze, silver, and pearl foils in 25 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately red and is one of four related works from the artist's "Take Care of Them" suite. — Wačháŋtognaka | Nurture, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied gold foil in 14 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly blue and is one of four related works from the artist's "Takes Care of Them" suite. — Wówahokuŋkiya | Lead, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied bronze foil in 18 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly green and is one of four related works from the artist's "Takes Care of Them" suite. — Nakíčižiŋ | Protect, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied copper foil in 20 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately gold and is one of four related works from the artist's "Takes Care of Them" suite. — Wókaǧe | Create, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

group of seated figures- two adults and two children; small child with curly dark hair, gazing outward, in C, wearing a colorful top with elaborate designs in mostly red and yellow pigment; right-most figure smiles, with long hair, red earrings and wearing a turquoise double-stranded necklace; child in top C, head turn toward seated figure in ULQ; green background, with eye shapes drawn n blue pigment along top of image — Sierra and her family, on the Mississippi shore, 2021
Leslie Barlow

G302

bright, colorful image of a Black man dressed in white, lying in a flower bed, surrounded by groups of flower varieties; bees hovering in the margins on a solid green background; in a blond wood frame — The Late Spring Arrival, 2022
Lamar Peterson

G301

Wall mounted sculpture with two rows of wood strips flowing downward to the floor; in three sections; each section is a square frame with a cross brace, with the ends of long strips of wood stapled to the top edge and to the cross brace — Waterfall, 1993
Truman Lowe

G302

punching bag that has been covered in pony beads and studded spikes on the top half, and 12 rows of silver conical jingles on the lower half; multi colored nylon ribbon in blue, black, red, white and yellow, hangs along the bottom in four rows, 12” of fringe hangs below bag; text in beaded area reads, “each time you love love as deeply as if it were forever nothing is eternal” in four rows — NOTHING IS ETERNAL, 2017
Jeffrey Gibson

G259

seated woman with dark hair, wearing red sunglasses, denim jacket, and a blue skirt, sitting on a bench; blue sky and tan ground — Think Long, Think Wrong, 2021
Avis Charley

G259

corner of white room with narrow mirror leaning against wall; hardwood floor; unframed — August, 1974
Sylvia Plimack Mangold

G322

large abstract painting in multicolored pigments; thick, blue bands of color across top and left side of canvas; light orange squared off section with darker puce wash of color overlapping and merging outwards toward center left edge; two curving bands of yellow pigment in upper right edge of canvas; vertical green and red bands of pigment in URC; smeary wash of puce pigment with dimension in LRQ; thin pink horizontal line in LRQ — Rio Grande, 1987
Helen Frankenthaler

G378

abstracted landscape, viewed from above; purple, rose, and blue sky with rolling landscape with an orange river cutting diagonally across picture plane; numerous figures and animals in vignettes; campground with tents, teepees, and vehicles including a bus with a row of Porta-Potties and a line of figures on horseback in upper left; central section with farm equipment, Jeeps, police car, figures with flame throwers and figures wearing Ku Klux Klan outfits behind barbed wire, confronting people on opposite shore of river holding signs--one of whom has their pants dropped; foreground figures in LLQ include a man in a purple shirt printed "I'M TOAST" in a well, a Black man wearing a tie and holding a saxophone seated on a toilet, a man in a white shirt, a man wearing a feathered Native American headdress and a woman in a blue shirt and yellow vest with arms upraised; blindfolded woman with one bare breast, holding a blue bra and a scale balancing a dollar sign and a glass being grabbed from behind by a blonde man in a suit, with a row of men in suits behind them, smoking and drinking, with three hyenas; helicopters, plane, and a man holding two drones in the sky; received unframed — Standing Rock 2016, 2018
Jim Denomie

G262

Black woman at left wearing a red skirt suit with white buttons, red and white striped blouse, and red hat with white pompon or flower; Black woman to right of first figure wearing a black blouse, tan skirt, and tan hat with white bow, holding a baby wrapped in a white blanket; Black couple at right, with woman in a brown skirt suit and brown hat with white band, reaching out for baby, and man wearing a dark suite and dark hat; two Black children at center; small framed portrait of a Black man in a black hat against a turquoise ground, on a shelf at top center; received in white frame — The Beginning, 2002
Winfred Rembert

G322

Screenprint bleed torn on four edges depicting figures, horses, trees, text, and abstracted indigenous masks in a landscape. — Anti-Retro, 2018
Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

Screenprint torn on four edges to create a bleed image depicting Mound Man (a humanoid effigy earthwork in Wisconsin), trail marker trees, Mississippian mica hand/talon objects, hands signing Exit, and text in a landscape. — Exit, 2019
Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

group portrait of seven people all holding pieces of paper with line drawn portraits; man in center kneeling wears tan pants, blue shirt and glasses; first on right is man wearing baggy blue shorts, green shirt, sneakers and blue hat; second figure from right is woman wearing red shirt, blue and pink flowered dress with brown purse at hip; third figure from right is woman wearing light blue t shirt and purple pants who stands behind kneeling man; fourth figure from right is woman wearing green, orange, white and red printed dress, short hear and green bracelet on PR wrist; fifth figure from right is woman in light purple shirt, dark blue pants and light blue shoes; sixth figure from right is man standing in back with blue shirt, gray hair and glasses; faded colorful background depiction various figures; red checkered floor with black and purple designs — Wise Elders Portraiture Class at Centro Tyrone Guzman with En Familia hay Fuerza, mural on the history of immigrant farm labor to the United States, 2017
Aliza Nisenbaum

G303

portrait of three seated women surrounded by plants, flowers and signage; single seated woman on left wearing yellow head scarf, blue shirt, pink floral skirt and leans on purple arm rest; sign reading 'HARVESTING BASICS' with text and drawings in ULC; two seated women on right- one with white scarf and black dress with yellow and pink flowers, PL arm around seated woman on right, who wears blue striped head scarf, red top and blue and pink gradated long skirt, both sitting on purple bench; orange hanging lamp in URC; groups of flowers with signs/ labels in foreground; lattice with climbing plant with blue flowers in background on left — Nimo, Sumiya, and Bisharo harvesting flowers and vegetables at Hope Community Garden, 2017
Aliza Nisenbaum

G368

two horizontal rows with sketches of four standing birds on each row, with watercolor backgrounds and highlights, with the title written below each row — People came from far and wide to see the giant birds, 1971
June Leaf

G353

abstracted image with nine female figures in a wheel-like shape with their heads overlapping at the center (many not visible), wearing tan bodices and long white skirts; green ground; flowers at bottom edge; received in black frame — Arose, 2020
Shahzia Sikander

G243

choker-length necklace with large pearls; three pairs of floral charms with diamond centers--gold exterior and silver interior/backs--flanked by purple and white swirled tube-shaped beads; octagonal pendant with three scallops on top and teardrop-shaped drop below, with multicolored beaded relief portrait of Pocahontas on one side of pendant, pink flower with radiating black lines on tan ground on opposite side; slightly asymmetrical clasp with tiny light purple faceted stones/beads — Necklace with pendant, from Pocahontas jewelry set, 2014
Keri Ataumbi , metalsmith; Artist: Jamie Okuma , beadworker

G259

large oval domed portrait of John Smith in multicolored beads; diamonds around rim in two rows; portrait of Pocahontas in multicolored beads on inside; two-part band with pear shaped greyish stone on each side of band and faceted diamond at palm side — Ring, from Pocahontas jewelry set, 2014
Keri Ataumbi , metalsmith; Artist: Jamie Okuma , beadworker

G259

pair of French hook earrings; three-petaled flowers at top with diamond centers with teardrop-shaped pendants with tan and black geometric beadwork; tiny faceted diamond dangle drops — Pair of earrings, from Pocahontas jewelry set, 2014
Keri Ataumbi , metalsmith; Artist: Jamie Okuma , beadworker

G259

bare-chested woman with webbed frog feet and spotted hands with wide finger pads, wearing a fringed leather skirt and sash with floral design, in LRQ; standing man seen from back, with animal-like legs and long donkey-like ears, wearing a black skirt and armband with floral designs and a tan and black feather in his hair, holding a long staff with weathers, at left; circle of tiny turtles around man's head and upper body; both figures have long hair with braids, flowing in wind; blue and orange bird in sky between figures; large tree at right; foliage in LLC; water with trees on far shore; low horizon line; received unframed — Nanbozhoo and Toad Woman, 21st century
Rabbett Strickland

G261

white and grey veined marble; carved sculpture in the form of a Chinese side chair with curved back — Marble Chair, 2008
Ai Weiwei

G218

teapot form with tall, curved loop rattan handle in dark brown color; vessel (a) is triangular, almost football shaped; short, high spout on one side below handle attachment; surface is horizontal ridges; color varies from light tan at top to dark brown at bottom; circular lid (b) with short knob at TC; yellow tape attached to side indicates that it is meant to be viewed with the spout facing to the right; tape on lid indicates the notch should be at the front (viewer side) — Natural ash sculpture with handle, 2023
Michikawa Shōzō

G253

pair of six-paneled folding screens; dark blue cloth backing; black frames; a (left): abstract image in mostly black, white and red pigments; fiery red and orange section, with swirling, looping linear pattern on left-most section of screens; several repeating patterns of circular shapes, in many different sizes, and arranged in rows L and R sides; large circular shape in C, with two smaller circles at lower edges of larger circle, in washy black pigments; thick white pigment with linear surface treatments on lower section of three right-most screens; b (right): abstract image with biomorphic forms including human arms primarily in black on tan with pale blue and red highlights; forms are more dense/taller at right side and taper toward left; textured designs of circles and wavy lines at top in grey, blue, and white — Chaos, 1983
Matsubara Ken

G333

heavy ceramic sculpture with matte white slip in the shape of a wave or swirl of wind; surface has sporadic small black spots of pigment or glaze; on three feet — Updraft, 2023
Fujikasa Satoko

G223

ceramic water jar with lid; irregular in shape, with concave dents on sides, with linear crisscrossing lines patterned with horizontal lines; pale tan glazing, with reddish brown pigment in dents and mostly on one side of jug, and black drippy glazing in crevices; small knob at C of lid, with circular patterns around perimeter of lid — Water Container with Arrow Notch Mouth, c. 2020-22
Matsukawa Hiromi

G224

large bowl with red ash glaze; reminiscent of lotus flower shape, with an undulating rim that comes to a point in three places; ridged paddle texture; incised outline similar to shape of rim at about mid-height interior; exterior and interior with incised vertical red striations, celadon glaze at basin and on bottom — Red-ash vessel "Wave Circle", before 2017
Kako Katsumi

G224

large, heavy flower shaped ceramic sculpture consisting of conjoined circular plates with leaves surrounding an opaque frosted glass pistil that rises up from the center; four smaller partially overlapping cloverleaf shaped pieces attached to one larger cloverleaf shaped piece; four smaller pieces decorated with incised leaves in shades of light green; on bottom is a piece of pointed frosted glass with one leaf sprouting from the side — Flower 15, 2019
Tashima Etsuko

G224

oblong ceramic tea bowl with rough, textured surface; vertical ridges repeat a pattern around the outer side of tea bowl; mostly white ceramic, with spots of green glazing dotted around outer edge, as well as a curved passage of green pigment on the inner side of bowl; mottled green and brown areas run horizontally around C of bowl, with shiny spots of glazing throughout; pale peach areas at upper and lower sides of bowl; diagonal line intersects with a forked horizontal line, in which green glazing collects in the crevices, on one side of bowl; wooden box with tan cloth included — Kō (vast, generous, expansive light, vast sky), 2022
Raku Kichizaemon XV

G224

received on a green and grey thumbdrive inside a black Pelican case (2 x 6 x 4 in.) with gallery label on top; compressed archival master and exhibition copy — sump, 2015
Kenneth Tam

G368

Front Room, 2022

Pamela Phatsimo Sunstrum

G368

black and white image; three figures, R figure is seated; C figure wears a Duke baseball hat; all three figures in front of a drop background — Plush Pony #4, 1992
Laura Aguilar

G368

oversize color photograph of two Black women with short hair reclining in a bed with a blond wood headboard; one is lying down with eyes closed, the other is behind, embracing her partner's shoulder and gazing down at her; the women are wearing tank tops with lower bodies partially covered by a white duvet; arrived in a black frame, no overmat — Gina & April, Minneapolis, Minnesota, 1998
Catherine Opie

G368

Awatovi Birds, Dextra Quotskuyva — Awatovi Birds, 1990
Dextra Quotskuyva

Not on View

Landscape. — Far Echo, Red Rock Variation: Lake Superior Landscape, 1993
George Morrison

G259

Genre. Figural. — Untitled (Blood on my Hands), 1975
Jerry Ott

Not on View

Abstraction with six horseshoe shapes. — Prospects, 1977
Philip Guston

Not on View

7-piece sculpture; 7 tall, totemic towers a: tiered, brown with protruding nipples; b: wedge-shaped, orange and brown, with rectangular and circular cutouts; c: tan with geometric cutouts and rounded shape; d: speckled green with geometric incised designs; e: tan and brown, irregular tiered rectangular with painted areas; f: orange slabs with protruding nipples, tan geometric painting on top; g: dark brown, tiered, rectangular, with geometric cutouts — Our Homes, Ourselves, 1999
Nora Naranjo Morse

G303

old map of Minnesota over painted with images of soldiers, hands holding weapons and other various objects along right edge and a column on Native Americans at LLC; all figures facing left — They Say Minnesota Nice (Minnesota Nice Oyakepelo), 1995
Wanbli Koyake

Not on View

Seated Bird Man, Leonard Baskin; Founder: Bed-Rosey Foundry — Seated Bird Man, 1963
Leonard Baskin; Founder: Bed-Rosey Foundry

G376

Sources of Strength, Jaune Quick-to-See Smith — Sources of Strength, 1990
Jaune Quick-to-See Smith

Not on View

Red Totem I, George Morrison — Red Totem I, 1977
George Morrison

G375

Landscape — Openings, Red Rock Variation: Lake Superior Landscape, 1993
George Morrison

G303

triptych; three panels of computer printout paper with side roller track intact; running horse with Native American rider, a running Euro-American is in front of horse, carrying a piece of paper with writing and saying the name of a Native American tribe; movement to the left — Anthropology: We're Not Your Indians Anymore, 1995
Wanbli Koyake

Not on View

gold background with repeating rows of white hash marks with pink and blue undertones, resembling quillwork; periwinkle, pink, mauve, and blue horizontal bands around outer edges of canvas — Untitled (Quiet Strength I), 2016
Dyani White Hawk

G261

colorful image of woman in bathtub filled with blue water and bubbles, eyes closed, lathering her hair with both hands at R side of image; silver/gray tiles on wall in upper half of image; towel, razer, shampoo bottle on edge of tub toward bottom of image; pigment of tiles and water has iridescent sheen; floating mount in white wood frame — Bather Washing Her Hair, 1974
Helen Oji

G375

standing blonde little girl with green eyes, wearing a pink dress with white polka dots, pink hair ribbon, white socks with pink trim, and red shoes, and holds a purple flower in her PR hand; girl has blank facial expression; girl stands in front of a wall mural with a blue and yellow dragon against a red ground with glitter highlights against a red ground with bold black Chinese characters; shiny black floor — Portrait of a Girl, 1971
Joan Brown

G322

Lithograph printed from three plates in light gray, brown, and black depicting a coyote laying on its back holding four shadow puppets. Printing order: light grey, brown, and black. — Revisionist History Lesson, 2014
Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G259

beading and sequins overall; central turquoise drum in front of a gold platform, with an old man with white hair and beard wearing gold pants and a black shirt with green leaves and vines assisting a woman wearing a white hat and blue dress with moons and starts onto the platform; musicians at left and right; man in red knickers and gold shirt playing maracas and man in green pants and black and red shirt playing a lute at right; man in dark blue suit playing an accordion, man in white pants at red shirt with leaves seated on and playing a box-shaped percussion instrument, and man in black tank top playing a harmonica at left; large brown element at top; multicolored beads on border, with symmetrical pattern of maracas, conical horns, and lutes; outer fabric border of patterned khaki, grey, and white fabric, with gold sequined trimming — Bal Kontredans, 2021
Myrlande Constant

G255

thin tubes of multicolored fabric forming an oblong shape, braces by thin black pieces of fabric at sides; thicker shape at bottom in blue fabric with lace on it, and a pink flower; red and blue entwined tubes of fabric at PL; green fabric with a black flower in C — The Ninth, from Torções series, 2019
Sonia Gomes

G255

two dimensional object with a mixture of photographs and collage-like elements; surface is slightly raised with photographs and shapes imbedded like puzzle pieces; gray textured backing; series of red plus signs dispersed across upper half; two horizontal red lines-one in upper left quadrant and one in upper right quadrant; red vertical line on upper middle right side, and runs downward to bottom, intersecting with a small square-shaped black and with photograph of a cratered rock; five red circles with photographs of space, portraits and life scenes placed in middle of circle; other photographs of life scenes and space dispersed across surface; various colored dots in orange, blue, red, black and white decorate background — Bess, 2016
Sadie Benning

G373

Sculptural assemblage of various types of black ladies' and girls' shoes in the form of an abstracted woman holding a baby on her lap; topmost shoe has white and gold flowers on upper — Anne Klein with a Baby in Transit, 2009
Willie Cole

G369

Large, white canvas with crisscrossing pencil grid lines; abstract, quilt-like motif following gridlines at center of canvas, bursting into grid in greens, blue, yellow, and gold leaf — Untitled, 2016
Gabriel Orozco

G255

assemblage with torn newspaper clippings, overlapping black and white Xeroxed photos of children playing; repeating images of young girl in black and white and newspaper clippings; adhered, broken green glass bottle; clumps of human hair; cigarette butts, matches; cigarette holes and singe marks; mounted to mauve mat board and framed — All-y All-y in Free, 1996
May Stevens

G374

Abstract assemblage in browns, tans, grey, black and cream; raised rectangular box-like elements at center--some open, some "closed"; predominately horizontal and vertical layered elements of various colors and textures; one open rectangular box has thin paperlike elements in various layers; wavy black lines and small frenetic tic marks particularly concentrated on topmost closed rectangular box and at bottom center; metal envelope clasp at top left of center; received in a shadowbox with silver edging — Time Memory / Fault 11, 2016
Shinro Ohtake

G374

layered collage consisting of old printed linoleum pieces that are torn, worn and layered; faux wood grain patterned pieces of linoleum with cowboy figure and cowboy boots in URQ and moving downward to right center and LRQ; waxy yellowed adhesive in URC and on upper right edge; layered linoleum pieces with floral designs in top center and in center, with yellow adhesive seeping from the edges; geometric patterned linoleum with gray, red and white lined pattern; muted mauve floral pattern on left edge; severely crackled blue and peach floral pattern in LLC; yellow stained backing paper visible in corners — Lesbian Dreams, 1992
Harmony Hammond

G373

large assemblage with collaged elements; many layered pieces of fabric with elaborate prints and objects coated in resin; two cavities resembling veiled heads in top center; thick, gold chain draped under bottom of cavity on the left; fourteen compact disks in top center; large black circle in URC; white transparent cloths in center right and on the left; scattered green and blue hair curlers in center left, center right and in URC; scattered wooden clothes pins; gray-brown feathers with white spots in LLQ, LRQ, center left and center right — Queen of the Night, 2018
Kevin Beasley

G374

paper collage with various images including standing figure at center with raised red elements on legs and shoulder and flame on chest, cans of Coke at bottom center, face of Statue of Liberty in URQ, woman with cat eye in ULQ; applied small round mirrors surrounded by colored (red, turquoise, pink, white) threads; applied green lotus pods; some applied elements recessed in ground including tray with pink and white petunias, green tray in the shape of the letter "U", silver and bronze cups, and pear-shaped form; long and short pins (some with white heads) stuck into surface at varying depths with irregular spacing overall--many pins have either a single black or clear sequin or a cutout paper collage element with various imagery (heads, skulls, insects, body parts) — Revolutionary Song, 2016
Elliot Hundley

G373

chair with applied found objects including hoes, shovels, pick ax, wheels, cast iron pan, clothes iron, American flag, chains, padlocks, and metal ornaments — Voyage in Chains, 2000
Joe Minter

G374

Collage with pigments and applied beads; surreal head with face at right and second face at left, on hair bun; large upside down eye at center right; large frowning mouth at right; small ear near center; amphibian or snake eyes on chin of smaller face (on hair bun); small hand in front of leftmost eye on face on hair bun; headless body of seated leopard between back of larger head and hair bun; pink drapery around neck; applied grey and pearl-like beads on forehead of larger face; pink-grey mottled ground; white frame — Pretty Double-Head, 2010
Wangechi Mutu

G374

Abstract image; rectangle with black irregular streaks and spots; iridescent gold and bronze; spiderwebbed areas at bottom center and center right; collaged broken glass and brown paper elements; black canvas ground mounted on tan stretched canvas mount; received unglazed — Skinning the Mirror #12, 2021
Edgar Arceneaux

G373

gray cloth-covered album bound with dark green twine; bound volume of 51 double-sided prints in rich colors and metallic, shimmery inks; prints depicting superimposed silhouettes of nude men, body parts, and printed words — Untitled (Loving Repeating 3), 2020
Dutes Miller; Artist: Stan Shellabarger

G373

large print in shades of orange, black, gray, and blue; blues appear to be hand-colored; image appears to be a mechanical technical drawing in which the components have been squashed, deformed, and exploded across the page; jumbled and whirling geometric forms, cooking utensils, and egg beaters in blue on the right side of sheet; curving black lines and orange shading on the left side of sheet; on cream-light yellow paper; hinged to mat, in blond wood frame — All the Wars in the World (Fire): Come and Get Me, 2020
Alice Aycock

G373

horizontal wooden forms in layers; top form like a large turned wood spindle; several layers of slab-like forms beneath; vertical round element with sawed-off pegs and holes at front PL corner; seven organic shaped holes through roughly oval element at top PR side, with one sawed-off peg and two small pegs; some elements wrapped in inherent creased, folded, and crumpled white paper; side with signature and date is front — buttai47, 2018
Miho Dohi

G374

geometric abstraction in bright red, bright blue, and yellow-gold; vertical column of three biforked symbols with one tri-forked symbol at the top; symbols are yellow-gold on a red ground; yellow-gold border across bottom; on both sides is wider outer border of blue and thin inner border of yellow-gold; simple brown stained wood frame — Emblema - 1972, 1972
Rubem Valentim

G255

Twisted and zigzagged pieces of silver metal with weathered, scratches and painted coatings: predominately white, some red and blue splatters — Local Cannibal, 1992
John Chamberlain

G373

Abstraction with numerous square patches of color. — Blue and Blue, 1967
Shirley Goldfarb

G375

sculpture — Work No. 27, Red Wing, 1968-1969
Charles Biederman

G301

head and sketchy armless torso of a man, looking forward, with large nose and ears and wrinkled brow — Diego, 1962
Alberto Giacometti; Caster: Susse Fondeur, Paris

Not on View

Abstract sculpture with rounded section on bottom cut into parallel arcs and separated; horizontal bar at top with wedge-shaped plate on one side at top — Gattenom, 1996
Frank Stella

Not on View

Mandala V, John McCracken — Mandala V, 1972
John McCracken

G212

N.B.Replacement pieces(TV Trays) for this work are located in MS R3A2.2 — Mountain Journey, 1991
Tony Berlant

G100A

abstract image; black and white curving lines over purple, orange, blue, black and white sketchy areas of color — Besides as Before, 1989
Steven Sorman

Not on View

purple image in background center of a building plan and various text; "TRIBE" and "COMMUNITY" at top and bottom in purple; sketches of rabbits' heads at right and left in purple; small images of hands, buffalo, paws, figures, fish and bags in purple at bottom; horses' heads, Native American on horse and figures with guns and bows at top edge in purple; large yellow and red rabbit at center, standing on hind legs with front paws on hips — Survival: Tribe/Community, 1996
Jaune Quick-to-See Smith; Publisher: Zanatta Editions, Shawnee, Kansas

G303

Landscape. Flat landscape with 3 clusters of trees at horizon; telephone poles at horizon in distance; expansive sky, light at horizon. — Cover, 2001
Theresa Handy

Not on View

see previous exhibition catalog for illustrations of all 50 paintings — #48, 1993-2001
Cy Thao

G304

8 rectangular marble blocks attached in a vertical format; smooth polished sides with roughly chiseled ends — Samba, 1993
Richard Erdman

Target Park

man squatting to pick up tire in LLQ; fire sparks in the air around him — Anniversary of Internment, Londonderry, 1989 negative (printed 1991)
Gilles Peress

Not on View

Abstraction. thin ground of swirling purple, brown and green with fingerprints in green and pink at center. Unsigned (checked 2/01) — The Touch, 1987
Ross Bleckner

Not on View

hard-cover book with sand on cover; swirling designs traced in sand — Sand Cover, 2002
James Henkel

Not on View

three white columns on a porch, with siding visible at L; view between columns of bright, dense trees and foliage — A Sheltered Spot, 1982
Alice Dalton Brown

Not on View

from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; kneeling man; PL hand holding seashell to ear — Listening to a Seashell, Learning Patience, from "Lilacs and Smoke", 1990
Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Man seated in a chair with his back to the viewer; he reads from a paper in his lap; citations from the poem 'Wessex Heights' are displayed in front of him like a muse or thought bubble; a tree with bright green leaves behind him; the words "Reading Wessex Heights/August 1987" inscribed, UC; predominant colors: blue, grey and green — Study for "Reading Wessex Heights", from the Portfolio "Lilacs and Smoke", 1987-1990
Nicolas Africano

Not on View

A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; a lit cigarette in his PR hand; cream background — Study for "May 1987" from the Portfolio "Lilacs and Smoke", 1987-1990
Nicolas Africano

Not on View

Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope.", inscribed, UC; predominant colors: brown, green and yellow — Study for "An Occasion for Hope" from the Portfolio "Lilacs and Smoke", 1987-1990
Nicolas Africano

Not on View

Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC; predominant colors: blue, grey and yellow — Study for "I'm Cold Billy, Can't Stop Shaking", from the Portfolio "Lilacs and Smoke", 1987-1990
Nicolas Africano

Not on View

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